March 2012
Horn: He’s coming out the window right now, I gotta go, buddy. I’m sorry, but he’s coming out the window.
Dispatcher: Don’t, don’t — don’t go out the door. Mr. Horn? Mr. Horn?
Horn: They just stole something. I’m going after them, I’m sorry.
Dispatcher: Don’t go outside.
Horn: I ain’t letting them get away with this s--t. They stole something. They got a bag of something.
Dispatcher: Don’t go outside the house.
Horn: I’m doing this.
Dispatcher: Mr. Horn, do not go outside the house.
Horn: I’m sorry. This ain’t right, buddy.
Dispatcher: You’re going to get yourself shot if you go outside that house with a gun, I don’t care what you think.
Horn: You want to make a bet?
Dispatcher: OK? Stay in the house.
Horn: They’re getting away!
Dispatcher: That’s all right. Property’s not worth killing someone over, OK?
Horn: [curses]
Dispatcher: Don’t go out the house. Don’t be shooting nobody. I know you’re pissed and you’re frustrated, but don’t do it.
Horn: They got a bag of loot.
Dispatcher: OK. How big is the bag ... which way are they going?
Horn: I’m going outside. I’ll find out.
Dispatcher: I don’t want you going outside, Mr. Horn.
Horn: Well, here it goes, buddy. You hear the shotgun clicking and I’m going.
Dispatcher: Don’t go outside.
Horn: [yelling] Move, you’re dead! [Sound of shots being fired]
Like much of that era’s popular entertainments, ______ often featured...
– To be honest, you could mad libs this sentence from Wikipedia all day and describe most entertainment ever, even though the original was kinda specific.
Less and less frequently do we encounter people with the ability to tell a tale...
– Walter Benjamin, “The Storyteller”
1 tag
Critique is concerned with the truth content of a work of art, the commentary...
– Walter Benjamin on the role of art criticism in “Elective Affinities,” quoted in Hannah Arendt’s New Yorker essay that introduces his collection Illuminations.